Tag Archives: Tate

Migrations: Journeys through British Art

There is just over a month left to see this great exhibition currently on at Tate Britain. Migrations: Journeys through British Art:

“explores British art through the theme of migration from 1500 to the present day, reflecting the remit of Tate Britain Collection displays. From the sixteenth- and seventeenth-century Flemish and Dutch landscape and still-life painters who came to Britain in search of new patrons, through moments of political and religious unrest, to Britain’s current position within the global landscape, the exhibition reveals how British art has been fundamentally shaped by successive waves of migration. Cutting a swathe through 500 years of history, and tracing not only the movement of artists but also the circulation of visual languages and ideas, this exhibition includes works by artists from LelyKneller,Kauffman to SargentEpsteinMondrianBombergBowling and the Black Audio Film Collective as well as recent work by contemporary artists”

There are also a number of events related to this exhibition upcoming. The first is one tonight:

25 June 2012 from 6.30 – 8.30pm: Personal Journeys: Bonnie Greer on Migrations: “Join playwright and critic Bonnie Greer on a personal journey through the exhibition, as she talks about what migration means to her.”

while in two weeks time:

11 July 2012 from 6.30 -8.30pm Artist Talk: David Medalla: “Born in the Philippines and based in Britain since the Sixties artist David Medalla describes himself as a citizen of the world. His work does not come from one single cultural perspective but draws from his constant travelling, inspired by the places and the people he meets. In this talk Medalla speaks about his practice spanning painting, sculpture, installation and performance, and shares his thoughts on the theme of Migration in art.”

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Video of the Week: Curating in Africa Symposium

After last weeks break we are getting back on track this week with some in-depth talks from the Curating in Africa Symposium which was held at Tate Modern in October 2010. “This symposium brought together leading curators involved in some of the most active areas of artistic production in Africa to address the state of curatorial practice in this region.”

There are four videos from the symposium available online. To access these click on the video image link below which will take you directly to the page on Tate’s site where you can watch these. If you have a problem accessing the videos when you first press play – try refreshing the page and then clicking play again.

Below is some more detailed information about the symposium and the speakers who took part in the first day’s open symposium:

“The Curating in Africa symposium, organised by Kerryn Greenberg (Curatorial Department, Tate Modern) in collaboration with Tate National, and funded by the World Collections Programme (WCP), brought together seven leading curators involved in some of the most active areas of artistic production in Africa to address the achievements of and challenges facing curators working in Africa today.

The participants were Meskerem Assegued (Zoma Contemporary Art Center, Ethiopia); Raphael Chikukwa (National Gallery of Zimbabwe); Marilyn Douala Bell (Doul’art, Cameroon); N´Goné Fall (Independent Curator, Senegal); Abdellah Karroum (L’appartement 22, Morocco); Riason Naidoo (South African National Gallery) and Bisi Silva (CCA Lagos, Nigeria).

Day One – Open Symposium

The first day was attended by approximately 100 invited curators, artists, graduate students, art historians and collectors and consisted of 30 minute presentations by each of the speakers on the context they are working in and a recent curatorial project.

N’Gone Fall, an independent curator who works between Dakar and Paris emphasized the importance of exhibitions that deal with history, geography and politics. She also talked about the benefits of collaboration, particularly with regards to Contact Zone an exhibition at the National Museum in Mali.

Raphael Chikukwa, the curator at the National Gallery of Zimbabwe focused on the history of his organization and its resilience during times of political instability. He talked about the challenges of fundraising and developing new audiences, as well as the importance of opening the debate and increasing the visibility of Zimbabwean artists internationally. The Harare Festival of Arts will take place from 26 April – 2 May 2011.

Marilyn Douala Bell spoke about the importance of site-specific projects, especially in a city without museums. She talked about some of the ways Doual’art has supported artists and engaged the local community over the past two decades. The next edition of SUD, organized by Doual’art, will open on 4 December 2010.

Bisi Silva, founding director of CCA Lagos spoke about Nigeria’s recent history and the infrastructural, physical and intellectual deficit Nigeria was left with after the dictatorship. She talked about the importance of professional development opportunities and the limited number of exhibition catalogues and monographs published in Africa. She also presented several exhibitions she has curated atCCA Lagos, including the inaugural exhibition DemocrazyLike a Virgin, and Art, Fashion and Identity. She also talked about J.D. Okhai Ojeikere’s exhibition which opened at CCA, Lagos on 1 October 2010. A mini retrospective of Ojeikere’s photographs will open at Kiasma, Museum of Contemporary Art, Helsinki in April 2011.

Riason Naidoo, Director of the South African National Gallery (SANG), gave an overview of his institution’s history and stressed the importance of resisting the pressure to produce exhibitions that may have popular appeal, but little gravitas. He talked in detail about 1910–2010 From Pierneef to Gugulective, the first exhibition he curated at the SANG, and the importance of creating discursive spaces.

Meskerem Assegued, founder of Zoma Contemporary Art Center in Ethiopia, discussed the impact of the military government on the Ethiopian art scene in the 1970s and 1980s. She presented Temporary, a public art happening she organized in Meskel Square and Green Flame, an exhibition in Vienna which included Julie Mehretu, Stephan Vitiello, and Elias Sime. Assegued is currently working on a major exhibition of Elias Sime’s work and a seminar Where do we go from here that will take place in Addis Ababa in January 2011.

Abdellah Karroum talked about studying abroad and not knowing one’s home on returning. He introduced various projects that he organized which enabled him to reconnect with Morocco. He discussed the genesis of Apartment 22 and the challenges of financing independent spaces.

The day ended with a roundtable discussion which touched on the following topics: arts education, censorship, the development of local audiences, and the internationalisation of exhibition programmes.”

There is also some information available on Tate’s site about a closed workshop involving 30 curators which took place on the following day. The themes addressed in this workshop included:

The Current State and Future of Art Museums in Africa

Alternatives to the Museum: Independent Spaces in Africa

The History and Sustainability of Biennials in Africa

How to Shape the Future

To read more about any of these discussion or to find out about the outcomes of the symposium click here.

BP British Art Displays: Thin Black Line(s)

Currently showing at Tate Britain is a special one-room Focus Display entitled Thin Black Line(s) devised by artist Lubaina Himid MBE, Professor of Contemporary Art at the University of Central Lancashire, with curator Paul Goodwin.

This display focuses on the contribution of Black and Asian women artists to British art in the 1980s. Taking as its starting point three seminal exhibitions curated by artist Lubaina Himid in London from 1983 to 1985, the display charts the coming to voice of a radical generation of British artists who challenged their collective invisibility in the art world and engaged in their art with the wider social and political issues of 1980s Britain and the world.

This exhibition is free to enter and on display until March 18 2012.

More information about this Focus Display can be accessed online at Color Code and Making Histories Visible.