We are happy to share this call for papers for New Voices annual one-day conference, organized by the AAH Student Members Committee, whose theme this year is: Art and Decolonisation.
￼Voldemārs Matvejs (Vladimir Markov) Bamana culture group, Mali, photographed in Musée du quai Branly, 1913. Courtesy Information Center, Art Academy of Latvia
Date of event: 16 November 2013
Location: Henry Moore Institute, Leeds
Deadline for abstracts: 1 October 2013
Art and its histories have ‘complex entanglements’ with empire and imperialism, to borrow a phrase from theorist Nikos Papastergiadis. In collaboration with the Henry Moore Institute, New Voices investigates the intersections of art and decolonisation to ask what the specific implications of decolonisation are for art and art history. This symposium turns attention to the geo-political struggles, revolutions and cultural recalibrations that artists and art historians have championed, challenged and negotiated as imperialism and colonialism weakened their grip and took on new forms.
We invite proposals that explore themes including:
- Art, national independence and self-determination
- Cultural affirmation and hybridity
- International Indigenous collectives and networks
- Global exhibitions and the complexities of national representation
- Contemporary approaches to ethnographic collections
- Historiography, methodologies and their relationships to decolonisation
- Case studies of how curators, artists and collectors have engaged with postcolonial art historiography to produce new narratives while learning from the past
Submit abstracts of 350 words, with a 150-word biography, to the organisers, Charlotte Stokes, Imogen Wiltshire, Sibyl Fisher and Anna Beketov, by 1 October 2013 via email: email@example.com
To read the call for papers in full click here
To find out more information about this one-day conference of the AAH website click here
Many thanks to Hannah Rose Murray for passing on this information:
Frederick Douglass, famed abolitionist and former African American slave, is well known in the United States for his work as a social activist. His travels in Britain however, are often neglected on both sides of the Atlantic, but the Nubian Jak Community Organisation hopes to change this. Created by Jak Beula, this non-profit organisation has installed numerous heritage plaques to African Americans and Black Britons, including Malcolm X and John Archer (among others). On the 20th February, a plaque to Frederick Douglass will be unveiled in Kensington, at the former home of British abolitionist George Thompson. (Whilst lecturing in London, Douglass stayed at Thompson’s house.)
Born a slave in 1818, Frederick Douglass grew up on a plantation in Maryland. He escaped slavery in 1838, and attracted the attention of William Lloyd Garrison, who recognised Douglass’s talent for oratory. Douglass travelled here in 1845 for nineteen months, creating a sensation across the country.
The heritage plaque is supported by the U.S. Embassy, who will be there on the 20th, as will NBC news. Local school children have also become involved in the project, and some of their work will be displayed in the Embassy.
To find out more information about how you can support the Nubian Jak organization and the Frederick Douglass heritage plaque project please visit: http://www.sponsume.com/project/nubian-jak-heritage-plaque-scheme-fd
You can follow “Nubian Jak Projects” on Facebook or on Twitter: @nubianjak
Location: Courtelyou Commons, 2324 N. Fremont St., DePaul University, Chicago
Date/Time: March 7th, 4-9pm.
This free public event will address the provocative, explorative and suggestive work of cultural critics in the digital age. It is particularly interested in how cultural critics address an age that is repeatedly depicted as post-soul, post-race and post-black.
The symposium will feature three exceptionally talented, perceptive, and incisive writers who have consistently produced intellectual work that deepens our interest in arts and culture; reveals new meanings and perspectives; expands our sense of culture; confronts our assumptions about value and taste; and sharpens our ability to respond to cultural texts.
Lewis Gordon teaches in the Department of Philosophy and the Institute for African American Studies, with affiliation in Judaic Studies, at the University of Connecticut at Storrs. He previously taught at Temple University (where he was a Laura H. Carnell Professor of Philosophy and founded and directed the Center for AfroJewish Studies and the Institute for the Study of Race and Social Thought), Brown University and Purdue University. He will deliver a talk relating to his recent work on the market colonization of the virtual public sphere.
Armond White is the editor of City Arts, for which he also writes articles and reviews. He was previously the lead film critic for the alternative weekly New York Press (1997–2011) and the arts editor and critic for The City Sun (1984–1996). His presentation is entitled, ‘Monster: How Celebrity Effects Black Identity,’ and will use key texts (literary, cinematic, musical) from the early 1900s to the present that detail the evolution of Black Power as both an aesthetic and political construct.
Francesca Royster is a Professor of English at DePaul University who has written widely about Shakespeare, Race and Gender, Black Feminisms, Cultural Studies and Popular Culture, and Literature and Film. Her talk will trace a rebellious spirit in post-civil rights black music by addressing a range of offbeat, eccentric, queer, or slippery performances by leading musicians influenced by the cultural changes brought about by the civil rights, black nationalist, feminist, and LGBTQ movements.
Refreshments will be served at the event.
Please contact Daniel McNeil (firstname.lastname@example.org) to RSVP
Kentridge in Context: an evening with Derek Attridge.
Professor Attridge discusses Kentridge’s work in relation to
contemporary South African literature
Thursday 24 January 6pm
(Image: William Kentridge, Eight Figures, 2010. Courtesy Artists Proof Studio, (c) the artist 2012.)
A Universal Archive – William Kentridge as Printmaker
Exhibition continues until Sunday 3 February, 2013. Open 10am-6pm daily. Free.
One of South Africa’s greatest contemporary artists, William Kentridge is acclaimed worldwide for his films, drawings, theatre and opera productions. He is also an innovative and prolific printmaker who studied etching at the Johannesburg Art Foundation.
Over the past 25 years Kentridge has produced more than 300 etchings, engravings, aquatints, silkscreens, linocuts and lithographs, experimenting with formats and combining techniques. Often the social and political themes explored in his prints end up in a piece of theatre or animated film. This exhibition includes over 100 prints in all media from 1988 to the present, with a focus on experimental and serial works, ranging in scale from intimate etchings to linocuts measuring 2.5 metres high.
Saturday 19 January 2pm
Alan Jones, an artist based at the Bluecoat, and our Aritistic Director, Bryan Biggs,discuss Kentridge’s work in the gallery. Free.
Thursday 24 January 6pm
Kentridge in Context: an evening with Derek Attridge
Derek Attridge discusses Kentridge’s work in relation to contemporary South African literature. Free, ticket required.
Sunday 27 January 2pm
Gallery Talk with Kate McCrickard
Leading Kentridge expert Kate McCrickard offers insights into his work. Free.
Saturday 2 February 2-5pm
Open printmaking studios
William Kentridge uses a wide range of printmaking techniques. Visit our two print studios for demonstrations of these processes. Free.
There is just over a month left to see this great exhibition currently on at Tate Britain. Migrations: Journeys through British Art:
“explores British art through the theme of migration from 1500 to the present day, reflecting the remit of Tate Britain Collection displays. From the sixteenth- and seventeenth-century Flemish and Dutch landscape and still-life painters who came to Britain in search of new patrons, through moments of political and religious unrest, to Britain’s current position within the global landscape, the exhibition reveals how British art has been fundamentally shaped by successive waves of migration. Cutting a swathe through 500 years of history, and tracing not only the movement of artists but also the circulation of visual languages and ideas, this exhibition includes works by artists from Lely, Kneller,Kauffman to Sargent, Epstein, Mondrian, Bomberg, Bowling and the Black Audio Film Collective as well as recent work by contemporary artists”
There are also a number of events related to this exhibition upcoming. The first is one tonight:
25 June 2012 from 6.30 – 8.30pm: Personal Journeys: Bonnie Greer on Migrations: “Join playwright and critic Bonnie Greer on a personal journey through the exhibition, as she talks about what migration means to her.”
while in two weeks time:
11 July 2012 from 6.30 -8.30pm Artist Talk: David Medalla: “Born in the Philippines and based in Britain since the Sixties artist David Medalla describes himself as a citizen of the world. His work does not come from one single cultural perspective but draws from his constant travelling, inspired by the places and the people he meets. In this talk Medalla speaks about his practice spanning painting, sculpture, installation and performance, and shares his thoughts on the theme of Migration in art.”
The international workshop “Beyond the Line – Cultural Constructions of the Sea” examines the relationship between land and sea. It investigates how the currently changing constellations in South-South relationships can be understood historically and culturally. If the active participation of the regions south of the Sahara since early modern times is denied, what is the situation today? And beyond that: is it justified in any way to attribute a historical insignificance to regions neighboring Africa on the Atlantic and Indian Oceans? These questions will be analyzed in the framework of a current trend in the social and cultural sciences that is called the “oceanic turn.” The symposium aims to pursue these questions and make its own contribution to them. Participants present the Atlantic and Indian Oceans as a cultural space. Individual panel discussions examine case studies of literature, migration, piracy, and trade cultures. In this way, research results on the sub-Saharan part of Africa will be investigated in their relationship to the Atlantic and Indian Oceans and new approaches will be formulated. Conceived by Michael Mann and Ineke Phaf-Rheinberger.
June 22 – 23, 2012
Institute of Asian and African Studies (IAAW)
Invalidenstraße 118, Room 217
To view the full programme including paper abstracts click here