Trayvon Martin’s fatal shooting in late February 2012 has sparked off a whole host of debates around the problematic relationship of African-Americans to the US penal system in the popular media. Yet this has long been a contentious issue leading many to draw parallels between the contemporary treatment and incarceration rates, particularly of African-American men in the US, and former explicit regimes of discrimination in that country such as Jim Crow and Slavery. Such comparisons led one online blogger to claim that more black men are in prison today than enslaved in 1850, while there have also been a host of good academic studies in this area such as Michelle Alexander’s The New Jim Crow: Mass Incarceration in the Age of Colorblindness – summarized via Worldcat.org as:
“…the book Lani Guinier calls “brave and bold,” and Pulitzer Prize-winner David Levering Lewis calls “stunning,” … In the era of colorblindness, it is no longer socially permissible to use race, explicitly, as a justification for discrimination, exclusion, and social contempt. Yet, as legal star Michelle Alexander reveals, today it is perfectly legal to discriminate.”
In relation to this Angelina Matson and the design team at Criminolgy.com created the graphic below illustrating case-by-case examinations of police brutality, for more information about this graphic click here:
Created by: Criminology.com
Debates of this nature have been engaged with widely through the arts. Artist Coco Fusco for example, whose work appeared in the 2010 Afro Modern exhibition at Tate Liverpool, has engaged with issues of incarceration and exploitation in her writing (see At Your Service: Latin Women in the Global Information Network). Widening the debate internationally and also exploring the role of women in the US military as perpetrators of torture in the War on Terror Fusco published the work A Field Guide for Female Interrogators:
“Framed as a letter to Virginia Woolf – who argued that women could prevent war – Fusco asks elemental questions about how the US military has capitalized on the growing presence of women in its ranks and how it is adapting originally feminist ideas about sexual assertiveness in its interrogation strategies”
Also see our earlier post via curatorial fellows at MoCADA: Changing “The Master Plan” Hybridity and Black Art and Design.