Haitilab Co-Directors Speak

A beautiful work created by Edouard Duval-Carrié collaboratively with researchers involved in Haitilab. Click here to find out more about this artwork: http://fhi.duke.edu/haitiamber/

This week’s video post features two interviews each with one of the co-directors of Haitilab: professors Laurent Dubois (History and Romance Studies) and Deborah Jenson (French and Romance Studies). Haitilab is the first humanities laboratory at John Hope Franklin Humanities Institute of Duke University and is an exciting model for the development and integration of humanities research at universities across all levels from undergraduate upwards. “The lab merges research, education, and practical applications of innovative thinking for Haiti’s disaster recovery and for the expansion of Haitian studies in the U.S. and Haiti … and is also a resource for media outlets seeking to gain knowledge of Haiti.”

Laurent Dubois on “Left of Black”

Mark Anthony Neal (African and African-American Studies, Duke) recently hosted Laurent Dubois on his popular web series Left of Black. The occasion is the recent publication of Dubois’s latest book, Haiti: The Aftershocks of History. Among other things, Dubois talked about the rich – and ambivalent – history of African American-Haitian cultural and political connections, from Frederick Douglass’s ambassadorship onward. The Haiti Lab was also on the agenda!”

Office Hours with Deborah Jenson on ‘Recovering Haiti’

In the aftermath of the January 2010 earthquake in Haiti Deborah Jenson was interviewed as part of one of Duke University’s regular online features: Office Hours.

Click here to view a rich variety of other great resources produced through Haitilab – including, essays, additional videos and related media coverage.

Both co-directors have recently published new books to find out more click the links below:

Laurent Dubois, Haiti: The Aftershocks of History

Deborah Jenson, Beyond the Slave Narrative: Politics, Sex and Manuscripts in the Haitian Revolution

Upcoming Symposium: Representations of Slavery in Neoliberal Times

PLEASE NOTE PROGRAMME IS UPDATED IN AN ABOVE POST

Selected images from: Positive Negative Guardian Paperworks by Lubaina Himid via: http://www.lubainahimid.info/

We are happy to announce a one-day symposium to  be held at the University of Newcastle on Friday 25th May.

This symposium brings together speakers who address neoliberalism, contemporary slavery and modern slavery through the concept of representation (visual, affective, cultural and media).  It is hosted by Media and Cultural Studies, the Postcolonial Research Group and the Gender Research Group at Newcastle University.

Location: Research Beehive, Room 2.20, Old Library Building, Newcastle University

Time/Date: Friday 25th May 2012, 13:00 – 18:00, followed by a wine reception at Northern Stage.

Speakers:

Professor Marcus Wood, School of English, University of Sussex

Film Performance and the Memory of Slavery in Very Liberal Times

Professor Lubaina Himid, Centre for Contemporary Art, University of Central Lancashire

Negative Positives: The Guardian, The Slave, The Wit and The Money

Professor Julia O’Connell Davidson, School of Sociology and Social Policy, University of Nottingham

Debt, Freedom and Slavery in Neoliberal Times

Roundtable participants:

Dr. Kate Manzo (Politics, Newcastle), Dr. Diana Paton (History, Newcastle), Dr. Rachel Wells (Fine Art, Newcastle)

This is a free event, but places are limited. To book a place, please contact: Carolyn Pedwell: carolyn.pedwell@ncl.ac.uk

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Abstracts

Film Performance and the Memory of Slavery in Very Liberal Times

Professor Marcus Wood, School of English, University of Sussex

Marcus Wood will introduce and screen three short performance films that explore how the traumatic memory of slavery and colonization has been encoded in art and literature. High Tar Babies questions assumptions surrounding the concept of blackness and is intimately related to Wood’s recent tar paintings about race, hatred, slavery, and love. Kiss the Bat plays with the symbolism of the baseball bat. It highlights its significance as a symbol of at once American achievement – in that the sport is a successful cultural export – and ghetto brutality, dysfunction and violence (the bat being a weapon of choice). Stick features the adventures of a giant hockey stick as it moves through the Baroda riots in Gujarat and various sacred spaces of Hindu culture in India.

Negative Positives: The Guardian, The Slave, The Wit and The Money

Professor Lubaina Himid, Centre for Contemporary Art, University of Central Lancashire 

This essentially visual presentation will attempt to show how The Guardian newspaper in 2007, and then just as strongly during subsequent years, constantly suggests that European sports teams and clubs disproportionally overspend when buying, selling and keeping black players.  While this is not an unusual stance by journalists in the British sporting press, The Guardian by frequently and jokily representing footballers and athletes via mocking photographs, degrading texts and or damaging juxtapositions of both, subtly ‘reminds’ its readers, many of whom are public health and social workers, teachers and academics as well as workers in the creative industries, of historically familiar racial stereotypes. The newspaper designers, by taking this approach, contribute to a situation in which the athletes remain within a ‘state of unbelonging’.

Much of Lubaina Himid’s recent creative visual practice has been taken up with building this archive of images and texts. The creation of a series of paper works, Negative Positives, in which ‘over-painting to emphasise’ has gone some way towards reclaiming the dignity of the people represented has however, to some degree, minimalised the findings and rendered them outside the debates they were intended to develop. Through the sharing of a range of these collected images both overpainted and in their original state, many from the year of commemoration 2007, Himid will invite discussion around how this subtle and oftentimes witty degradation of wealthy black elites undermines the campaigns opposed to contemporary slavery while at the same time visually fixing the black person as ‘other’ to be bought and sold.

Debt, Freedom and Slavery in Neoliberal Times

Professor Julia O’Connell Davidson, University of Nottingham

In dominant discourse on ‘trafficking’, mobility, debt and dependence are configured in a very particular way and the kind of debt involved is clearly marked as disturbing, dangerous, illegal, morally wrong. The trafficker’s objective is to make repayment impossible and so to establish personal, inescapable, and highly asymmetrical relations of power and dependency. Relations between trafficker and victim are represented as the very antithesis of freedom – trafficking is frequently referred to as ‘modern slavery’. And yet debt that generates relations of dependency is also often a feature of forms of mobility that are legally sanctioned; debt that compels people to take on work that they would otherwise refuse is hardly uncommon in Western liberal democracies; and the techniques used to recover legally sanctioned loans from citizen-debtors can be highly coercive. But legally sanctioned debt, backed by the coercive powers of the state, is not framed as ‘modern slavery’. Indeed, in neoliberal times, access to credit, i.e., the ability to indebt oneself by entering into socially sanctioned creditor-debtor relations, is a marker of social inclusion, something that both reflects and affirms political belonging and subjectivity. Starting from an interest in debt as a social relation, and in questions about why some debt relations are sanctioned while others are denounced, this paper is concerned with the ways in which liberal discourse on freedom, rights and citizenship constructs particular types of debt and dependency as ‘modern slavery’ while endorsing other arrangements that, from the vantage point of the individual affected, may appear equally if not more pernicious.

The full program me is now confirmed:

Programme of events 

1pm: Refreshments available

1.10 – 1.15: Welcome by Conference Co-Convener, Carolyn Pedwell, School of Arts and Cultures, Newcastle University

1:15 – 2:15: Professor Marcus Wood, School of English, University of Sussex: Film Performance and the Memory of Slavery in Very Liberal Times

Chair: Daniel McNeil, School of Arts and Cultures, Newcastle University

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2:15 – 3:15: Professor Lubaina Himid, Centre for Contemporary Art, University of Central Lancashire: Negative Positives: The Guardian, The Slave, The Wit and The Money

Chair: Daniel McNeil

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3:15 – 3.45: Coffee break

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3.45 – 4.45: Professor Julia O’Connell Davidson, School of Sociology and Social Policy, University of Nottingham: Debt, Freedom and Slavery in Neoliberal Times

Chair: Anne Graefer, School of Arts and Cultures, Newcastle University

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4.45 – 5.45: Roundtable

Dr. Kate Manzo (Geography, Newcastle University); Dr. Diana Paton (History, Newcastle University); Dr. Rachel Wells (Fine Art, Newcastle University)

Chair: Carolyn Pedwell

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6pm: Wine Reception, Northern Stage

PLEASE NOTE PROGRAMME IS UPDATED IN AN ABOVE POST


Open Arts Archive Publish Video and Audio Online

New audio and video files on a wide variety of themes have been added to the Open Arts Archive recently to join with an established archive of resources. These include:

Contemporary Art: World Currents – Panel Discussion

“This panel discussion, in collaboration with the Open University, explores Terry Smith’s book Contemporary Art: World Currents (Laurence King, 2011).

It was part of a launch for the book given by Sandy Nairne, Director of the National Portrait Gallery.

Speakers include: art historians Terry Smith, Anthony Downey and Leon Wainwright, and Tessa Jackson, OBE, Director of the Institute for International Visual Arts (inIVA).”

Leon Wainwright offering some thoughts on ‘Hymn to the Sun IV’

“This recording was made on the occasion of the exhibition Aubrey Williams: Atlantic Fire, at the Walker Art Gallery, Liverpool, from 15 January to 11 April, 2010, and played on an audio loop for visitors alongside the display. Aubrey Williams: Atlantic Fire was curated by Reyahn King (Director of Art Galleries, National Museums Liverpool) and Leon Wainwright (Dept. of Art History, The Open University). It was the first nationally-funded, major retrospective exhibition of the Guyana-born painter (1926-1990). In the recording Leon Wainwright offers some thoughts on a painting by Aubrey Williams, his ‘Hymn to the Sun IV’ of 1984, one of the artist’s Olmec-Maya series (oil on canvas, 119 x 178 cm).”

Click here to read Leon Wainwright’s 2010 catalogue contribution for this exhibition, Aubrey Williams: Atlantic fire.

Rashid Rana and David Elliot in Conversation

“On Saturday 1st October 2011, as part of ‘Rashid Rana: Everything Is Happening At Once’ exhibition at The Cornerhouse, Manchester artist Rashid Rana was joined in conversation with David Elliott, a freelance international curator based in Hong Kong and Berlin.

A small audience heard a presentation by the artist of his practice. The event was presented as part of the Asia Triennial Manchester 2011 with the support of the Lisson Gallery.”

Jack White and the Blues

This week’s video feature begins with Jack White’s mention of Cab Calloway and improvisational performance of St. James’ Infirmary Blues on BBC2′s Later with Jools Holland:

Before doing his northern Detroit version of St. James’ Infirmary Blues, White mentions that he first heard it performed by Cab Calloway as part of a Betty Boop cartoon. This great version of the song along with the original cartoon is also available online and posted below. Calloway’s performance comes about 4 minutes 20 into the cartoon and it’s not only Calloway’s voice you can hear but also his dance moves you can see too, as performed by Koko the clown. Calloway’s performance was in fact recorded and then transferred into the animation using the rotoscoping method so that frame-by-frame Koko would mimic Calloway’s unique moves. This method was also used to transfer Calloway’s move onto the screen in the Betty Boop cartoon Minnie the Moocher that we used as our first video of the week post.

Of course White has always been influenced by earlier blues artists and this continues on his first solo album, Blunderbuss, which was released last week.  Track 8 – I’m Shakin’ – features a great guitar riff and sees White covering “The Prince of the Blues” Little Willie John.

Earlier in his career as one part of the duo The White Stripes live performances often included covers of various Delta Blues artists including: Blind Willie McTell, Robert Johnson and as shown here below the fierce voice and guitar bashing sounds of Son House.

The First Black Britons DVD

Thanks to Tony T for passing on the information about this resource:

“The First Black Britons” is a DVD resource on the West India Regiment (made for BBC TV in 2005)

A link to the trailer is posted below (and is available to view on Vimeo.com via: http://vimeo.com/37661768)

‘The First Black Britons’ can be purchased on Amazon.co.uk or from our
distributor’s website www.beckmanndirect.com.

“Originally broadcast on BBC Television, “The First Black Britons” presents a
wealth of information and historical discovery, delivered (to-camera) in a
warm and ‘to-the-point’ style. Our film reveals the incredible hidden
history of thousands of African men (11,000 by the year 1800), lifted from
slavery to lead a journey to citizenship in the New World – as equals of
white comrades in arms. They fought in the Napoleonic Wars as the West
India Regiment (1795-1927).

“One of Britain’s leading TV comedy actors, Gary Beadle presents our story
as a journey of discovery in Barbados, Jamaica, Liverpool, London and
Windsor. Illustrated by a wealth of photographs and pictures, this dramatic
and compelling story is ‘brought to life’ by actors in scenes based on the
actual quotes of Prime Minister William Pitt (the younger), his friend,
William Wilberforce, Queen Victoria, and, the very soldiers who shaped
attitudes to race and identity at each turn of the infamous triangular
Slave Trade – involving Britain, West Africa and the Americas.

“The viewer discovers tourist attractions, social and political history,
culture and heritage. 59-minutes are divided into 3 x 18-minute stories,
structured as follows:

Story 1. ‘Slaves in Redcoats’:
How the government of abolitionist Prime Minister, William Pitt (the
younger) secretly purchased a slave-army to defeat French and Napoleonic
forces in the Americas.

Story 2. ‘The Queen’s Gentlemen’:
How Britain’s first African army won the personal favour of Queen
Victoria, and carved a unique status as a new class of citizen – ‘Black
British’.

Story 3. ‘The Prodigals’ Return’:
How West India Regiment soldiers – ‘the sons of slaves’ – exacted bloody
revenge on the ‘Chiefdoms’ that sold them into captivity, returning to the
infamous slave forts of West Africa to win 2 Victoria Cross medals, in a
‘Action Adventure’ of imperial conquest.

For further details of the programme do please have a look at our website:
www.sweetpatootee.co.uk
Tony T and Rebecca Goldstone
Sweet Patootee Ltd”

‘Timed Out’ Panel Discussion and Book Launch

We are happy to announce this exciting event taking place at InIVA next week:

Panel Discussion and launch of a new book, Timed Out: Art and the Transnational Caribbean (Manchester University Press), by Dr Leon Wainwright. With panellists: Sonia Boyce and Paul Wood. Chaired by Paul Goodwin.

Timed out is a pioneering study of modern and contemporary art in the aftermath of empire. It addresses the current ‘global turn’ in the study of art by way of the transnational Caribbean, offering an in-depth account of its integral role in histories of art in the Atlantic world. The book looks at why art of the Anglophone Caribbean and its diaspora has been placed not only ‘outside’ but ‘behind’ more familiar and dominant art canons, and how the politics of space and time can be engaged in new ways to rethink the global geography of art.”

This event will be held at InIVA, Rivington Place, London beginning at 6.30pm. To find out more click here.

To find out more about the book and its author click here.

Kanaval and ‘Caste’

Two upcoming exhibitions – one in Nottingham and one in London – present the work of photographer Leah Gordon through two different frames of reference.

The first is titled after the 2010 publication Kanaval: Vodou, Politics and Revolution on the Streets of Haiti and will juxtapose some of the images and oral histories from that book with a special commission by Haitian artist André Eugene that will utilise Jeremy Deller’s 2005 English ‘Folk Archive’.

Kanaval will be at the New Art Exchange, Nottingham, 16 June – 11 August 2012. Click here for more information.

This exhibition will also be preceded on the 15 June by a conversation between Leah  Gordon and Guardian columnist Sean O’Hagan at 6.15 – 7.30pm.

The Second exhibition titled Leah Gordon ‘Caste’ presents new photographic work from Gordon that investigates the Haitian colonial history of racial classification. In 18th-century Saint Domingue Moreau de St Mery was responsible for charting: “a surreal taxonomy of race which classified skin colour from Noir to Blanche using names borrowed from mythology, natural history and bestial miscegenation.”

‘Caste’ will be at The Riflemaker Gallery in London 28 May – 7 July 2012. Click here for more information.