Category Archives: Current and Upcoming Events

International Workshop: Beyond the Line – Cultural Constructions of the Sea

The international workshop “Beyond the Line – Cultural Constructions of the Sea” examines the relationship between land and sea. It investigates how the currently changing constellations in South-South relationships can be understood historically and culturally. If the active participation of the regions south of the Sahara since early modern times is denied, what is the situation today? And beyond that: is it justified in any way to attribute a historical insignificance to regions neighboring Africa on the Atlantic and Indian Oceans? These questions will be analyzed in the framework of a current trend in the social and cultural sciences that is called the “oceanic turn.” The symposium aims to pursue these questions and make its own contribution to them. Participants present the Atlantic and Indian Oceans as a cultural space. Individual panel discussions examine case studies of literature, migration, piracy, and trade cultures. In this way, research results on the sub-Saharan part of Africa will be investigated in their relationship to the Atlantic and Indian Oceans and new approaches will be formulated. Conceived by Michael Mann and Ineke Phaf-Rheinberger.

June 22 – 23, 2012

Institute of Asian and African Studies (IAAW)
Invalidenstraße 118, Room 217
Humboldt-Universität Berlin

To view the full programme including paper abstracts click here

Updated Symposium Programme: Representations of Slavery

Please note that the program me for the Representations of Slavery in Neoliberal Times Symposium to be held at the University of Newcastle on Friday 25th May has been updated and will now take place as below:

Selected images from : Positive Negative Guardian Paperworks via: http://www.lubainahimid.info/

Programme of events

1.oopm - Refreshments available

1.10 – 1.15 - Welcome by Conference Co-Convener

Carolyn Pedwell, School of Arts and Cultures, Newcastle University

1:15 – 2:15 – Lubaina Himid, Centre for Contemporary Art, University of Central Lancashire

Negative Positives: The Guardian, The Slave, The Wit and The Money

Chair: Daniel McNeil, School of Arts and Cultures, Newcastle University

2:15 – 3:15 – Julia O’Connell Davidson

School of Sociology and Social Policy, University of Nottingham

Debt, Freedom and Slavery in Neoliberal Times

Chair: Anne Graefer, School of Arts and Cultures, Newcastle University

3:15 – 3.45 - Coffee break

3.45 – 4.45Carolyn Pedwell,

Alternative Empathies: Representing Slavery’s Affective Afterlives

Chair: John Richardson, School of Arts and Cultures, Newcastle University

4.45 – 5.45 – Roundtable

Dr. Kate Manzo (Geography, Newcastle University)

Dr. Diana Paton (History, Newcastle University)

Dr. Rachel Wells (Fine Art, Newcastle University)

Chair: Daniel McNeil

6.00pm – Wine Reception

Northern Stage

—————————–

 
Abstracts

Negative Positives: The Guardian, The Slave, The Wit and The Money

Lubaina Himid, Centre for Contemporary Art, University of Central Lancashire

This essentially visual presentation will attempt to show how The Guardian newspaper in 2007, and then just as strongly during subsequent years, constantly suggests that European sports teams and clubs disproportionally overspend when buying, selling and keeping black players.  While this is not an unusual stance by journalists in the British sporting press, The Guardian by frequently and jokily representing footballers and athletes via mocking photographs, degrading texts and or damaging juxtapositions of both, subtly ‘reminds’ its readers, many of whom are public health and social workers, teachers and academics as well as workers in the creative industries, of historically familiar racial stereotypes. The newspaper designers, by taking this approach, contribute to a situation in which the athletes remain within a ‘state of unbelonging’.

Much of Lubaina Himid’s recent creative visual practice has been taken up with building this archive of images and texts. The creation of a series of paper works, Negative Positives, in which ‘over-painting to emphasise’ has gone some way towards reclaiming the dignity of the people represented has however, to some degree, minimalised the findings and rendered them outside the debates they were intended to develop. Through the sharing of a range of these collected images both overpainted and in their original state, many from the year of commemoration 2007, Himid will invite discussion around how this subtle and oftentimes witty degradation of wealthy black elites undermines the campaigns opposed to contemporary slavery while at the same time visually fixing the black person as ‘other’ to be bought and sold.

 

Debt, Freedom and Slavery in Neoliberal Times

Julia O’Connell Davidson, University of Nottingham

In dominant discourse on ‘trafficking’, mobility, debt and dependence are configured in a very particular way and the kind of debt involved is clearly marked as disturbing, dangerous, illegal, morally wrong. The trafficker’s objective is to make repayment impossible and so to establish personal, inescapable, and highly asymmetrical relations of power and dependency. Relations between trafficker and victim are represented as the very antithesis of freedom – trafficking is frequently referred to as ‘modern slavery’. And yet debt that generates relations of dependency is also often a feature of forms of mobility that are legally sanctioned; debt that compels people to take on work that they would otherwise refuse is hardly uncommon in Western liberal democracies; and the techniques used to recover legally sanctioned loans from citizen-debtors can be highly coercive. But legally sanctioned debt, backed by the coercive powers of the state, is not framed as ‘modern slavery’. Indeed, in neoliberal times, access to credit, i.e., the ability to indebt oneself by entering into socially sanctioned creditor-debtor relations, is a marker of social inclusion, something that both reflects and affirms political belonging and subjectivity. Starting from an interest in debt as a social relation, and in questions about why some debt relations are sanctioned while others are denounced, this paper is concerned with the ways in which liberal discourse on freedom, rights and citizenship constructs particular types of debt and dependency as ‘modern slavery’ while endorsing other arrangements that, from the vantage point of the individual affected, may appear equally if not more pernicious.

Alternative Empathies: Representing Slavery’s Affective Afterlives

Carolyn Pedwell, Newcastle University

Against the dominant universalist injunction to ‘be empathetic’, this paper explores the possibilities  of alternative histories, practices and affects of empathy in the context of postcoloniality and neoliberalism.  Offering a critical reading of Antiguan American author Jamaica Kincaid’s postcolonial  text  A Small Place (1988), it examines how empathy expressed at the margins of our social and geo-political imaginaries might disrupt or refigure some of the dominant ways that affect is thought and mobilised in liberal and neoliberal discourses.  As a powerful commentary on the political, economic and affective links between colonialism and slavery and contemporary practices of tourism in the Caribbean that has provoked intense emotional responses among its readers, A Small Place offers a pertinent site through which to explore how history, power and violence shape the meanings and effects of empathy.  It illustrates how the affective afterlives of colonialism, slavery and racism shape contemporary subjectivities in ways that are not easy to penetrate, nor possible to undo, through the power of empathetic will or imagination alone.  In doing so, Kincaid’s text also considers the role that alternative empathies can play in interrogating the idea of time as linear, progressive and universal.  The continuing dialogue with loss and its aftermath that alternative empathies can engender, I argue, allows for engaging with ‘the performative force of the past’ (Munoz, 2009) in ways that invite us to break from fixed patterns and positionings and enter into a ‘more   demanding’, and potentially more ethical, relationship to the world and our being in it (Kincaid, 1988: 57).  I thus explore how alternative empathies might open out to affective politics which do not view emotions instrumentally as sources of – or solutions to – complex social and political problems, but rather examine diverse and shifting feeling states for what they tell us about the affective workings of power in a transnational world.

Upcoming Symposium: Representations of Slavery in Neoliberal Times

PLEASE NOTE PROGRAMME IS UPDATED IN AN ABOVE POST

Selected images from: Positive Negative Guardian Paperworks by Lubaina Himid via: http://www.lubainahimid.info/

We are happy to announce a one-day symposium to  be held at the University of Newcastle on Friday 25th May.

This symposium brings together speakers who address neoliberalism, contemporary slavery and modern slavery through the concept of representation (visual, affective, cultural and media).  It is hosted by Media and Cultural Studies, the Postcolonial Research Group and the Gender Research Group at Newcastle University.

Location: Research Beehive, Room 2.20, Old Library Building, Newcastle University

Time/Date: Friday 25th May 2012, 13:00 – 18:00, followed by a wine reception at Northern Stage.

Speakers:

Professor Marcus Wood, School of English, University of Sussex

Film Performance and the Memory of Slavery in Very Liberal Times

Professor Lubaina Himid, Centre for Contemporary Art, University of Central Lancashire

Negative Positives: The Guardian, The Slave, The Wit and The Money

Professor Julia O’Connell Davidson, School of Sociology and Social Policy, University of Nottingham

Debt, Freedom and Slavery in Neoliberal Times

Roundtable participants:

Dr. Kate Manzo (Politics, Newcastle), Dr. Diana Paton (History, Newcastle), Dr. Rachel Wells (Fine Art, Newcastle)

This is a free event, but places are limited. To book a place, please contact: Carolyn Pedwell: carolyn.pedwell@ncl.ac.uk

—————————————————————————————

Abstracts

Film Performance and the Memory of Slavery in Very Liberal Times

Professor Marcus Wood, School of English, University of Sussex

Marcus Wood will introduce and screen three short performance films that explore how the traumatic memory of slavery and colonization has been encoded in art and literature. High Tar Babies questions assumptions surrounding the concept of blackness and is intimately related to Wood’s recent tar paintings about race, hatred, slavery, and love. Kiss the Bat plays with the symbolism of the baseball bat. It highlights its significance as a symbol of at once American achievement – in that the sport is a successful cultural export – and ghetto brutality, dysfunction and violence (the bat being a weapon of choice). Stick features the adventures of a giant hockey stick as it moves through the Baroda riots in Gujarat and various sacred spaces of Hindu culture in India.

Negative Positives: The Guardian, The Slave, The Wit and The Money

Professor Lubaina Himid, Centre for Contemporary Art, University of Central Lancashire 

This essentially visual presentation will attempt to show how The Guardian newspaper in 2007, and then just as strongly during subsequent years, constantly suggests that European sports teams and clubs disproportionally overspend when buying, selling and keeping black players.  While this is not an unusual stance by journalists in the British sporting press, The Guardian by frequently and jokily representing footballers and athletes via mocking photographs, degrading texts and or damaging juxtapositions of both, subtly ‘reminds’ its readers, many of whom are public health and social workers, teachers and academics as well as workers in the creative industries, of historically familiar racial stereotypes. The newspaper designers, by taking this approach, contribute to a situation in which the athletes remain within a ‘state of unbelonging’.

Much of Lubaina Himid’s recent creative visual practice has been taken up with building this archive of images and texts. The creation of a series of paper works, Negative Positives, in which ‘over-painting to emphasise’ has gone some way towards reclaiming the dignity of the people represented has however, to some degree, minimalised the findings and rendered them outside the debates they were intended to develop. Through the sharing of a range of these collected images both overpainted and in their original state, many from the year of commemoration 2007, Himid will invite discussion around how this subtle and oftentimes witty degradation of wealthy black elites undermines the campaigns opposed to contemporary slavery while at the same time visually fixing the black person as ‘other’ to be bought and sold.

Debt, Freedom and Slavery in Neoliberal Times

Professor Julia O’Connell Davidson, University of Nottingham

In dominant discourse on ‘trafficking’, mobility, debt and dependence are configured in a very particular way and the kind of debt involved is clearly marked as disturbing, dangerous, illegal, morally wrong. The trafficker’s objective is to make repayment impossible and so to establish personal, inescapable, and highly asymmetrical relations of power and dependency. Relations between trafficker and victim are represented as the very antithesis of freedom – trafficking is frequently referred to as ‘modern slavery’. And yet debt that generates relations of dependency is also often a feature of forms of mobility that are legally sanctioned; debt that compels people to take on work that they would otherwise refuse is hardly uncommon in Western liberal democracies; and the techniques used to recover legally sanctioned loans from citizen-debtors can be highly coercive. But legally sanctioned debt, backed by the coercive powers of the state, is not framed as ‘modern slavery’. Indeed, in neoliberal times, access to credit, i.e., the ability to indebt oneself by entering into socially sanctioned creditor-debtor relations, is a marker of social inclusion, something that both reflects and affirms political belonging and subjectivity. Starting from an interest in debt as a social relation, and in questions about why some debt relations are sanctioned while others are denounced, this paper is concerned with the ways in which liberal discourse on freedom, rights and citizenship constructs particular types of debt and dependency as ‘modern slavery’ while endorsing other arrangements that, from the vantage point of the individual affected, may appear equally if not more pernicious.

The full program me is now confirmed:

Programme of events 

1pm: Refreshments available

1.10 – 1.15: Welcome by Conference Co-Convener, Carolyn Pedwell, School of Arts and Cultures, Newcastle University

1:15 – 2:15: Professor Marcus Wood, School of English, University of Sussex: Film Performance and the Memory of Slavery in Very Liberal Times

Chair: Daniel McNeil, School of Arts and Cultures, Newcastle University

——————–

2:15 – 3:15: Professor Lubaina Himid, Centre for Contemporary Art, University of Central Lancashire: Negative Positives: The Guardian, The Slave, The Wit and The Money

Chair: Daniel McNeil

 ——————–

3:15 – 3.45: Coffee break

———————

3.45 – 4.45: Professor Julia O’Connell Davidson, School of Sociology and Social Policy, University of Nottingham: Debt, Freedom and Slavery in Neoliberal Times

Chair: Anne Graefer, School of Arts and Cultures, Newcastle University

———————–

4.45 – 5.45: Roundtable

Dr. Kate Manzo (Geography, Newcastle University); Dr. Diana Paton (History, Newcastle University); Dr. Rachel Wells (Fine Art, Newcastle University)

Chair: Carolyn Pedwell

————————

6pm: Wine Reception, Northern Stage

PLEASE NOTE PROGRAMME IS UPDATED IN AN ABOVE POST


‘Timed Out’ Panel Discussion and Book Launch

We are happy to announce this exciting event taking place at InIVA next week:

Panel Discussion and launch of a new book, Timed Out: Art and the Transnational Caribbean (Manchester University Press), by Dr Leon Wainwright. With panellists: Sonia Boyce and Paul Wood. Chaired by Paul Goodwin.

Timed out is a pioneering study of modern and contemporary art in the aftermath of empire. It addresses the current ‘global turn’ in the study of art by way of the transnational Caribbean, offering an in-depth account of its integral role in histories of art in the Atlantic world. The book looks at why art of the Anglophone Caribbean and its diaspora has been placed not only ‘outside’ but ‘behind’ more familiar and dominant art canons, and how the politics of space and time can be engaged in new ways to rethink the global geography of art.”

This event will be held at InIVA, Rivington Place, London beginning at 6.30pm. To find out more click here.

To find out more about the book and its author click here.

Kanaval and ‘Caste’

Two upcoming exhibitions – one in Nottingham and one in London – present the work of photographer Leah Gordon through two different frames of reference.

The first is titled after the 2010 publication Kanaval: Vodou, Politics and Revolution on the Streets of Haiti and will juxtapose some of the images and oral histories from that book with a special commission by Haitian artist André Eugene that will utilise Jeremy Deller’s 2005 English ‘Folk Archive’.

Kanaval will be at the New Art Exchange, Nottingham, 16 June – 11 August 2012. Click here for more information.

This exhibition will also be preceded on the 15 June by a conversation between Leah  Gordon and Guardian columnist Sean O’Hagan at 6.15 – 7.30pm.

The Second exhibition titled Leah Gordon ‘Caste’ presents new photographic work from Gordon that investigates the Haitian colonial history of racial classification. In 18th-century Saint Domingue Moreau de St Mery was responsible for charting: “a surreal taxonomy of race which classified skin colour from Noir to Blanche using names borrowed from mythology, natural history and bestial miscegenation.”

‘Caste’ will be at The Riflemaker Gallery in London 28 May – 7 July 2012. Click here for more information.

The French Atlantic: A Tricoloured Ocean Workshop

We are happy to announce an upcoming collaborative workshop that will focus on the French Atlantic:

“Final details – including the rationale behind the workshop, information about speakers and a full programme - for ‘The French Atlantic: A Tricoloured Ocean’ are now available on the website of the Centre for the Study of International Slavery, based at the University of Liverpool:

http://www.liv.ac.uk/csis/

This is a collaborative workshop taking place at the International Slavery Museum, Liverpool, on Monday 21 May 2012 from 12.30 to 4.30 pm. As spaces are limited, we would be grateful if you would inform Devi Hardeen (d.hardeen@liv.ac.uk) by Monday 7 May 2012 if you would like to attend.

We hope that you will be able to join us.”

Exhibition: The Bearden Project

To mark the centennial year of Romare Bearden’s birth, begun in September 2011, the Studio Museum in Harlem has initiated The Bearden Project: an exhibition which celebrates the profound influence of this great artist on successive generations of art-makers.

Each contemporary artist represented in the show was asked to produce a work of art inspired by Bearden’s life and legacy. The artists mined a wide range of ideas and themes associated with Bearden’s career, including Modernism, urbanism, jazz and, of course, the medium of collage. The majority chose to make new works for the exhibition, while others submitted earlier works that honor or were inspired by Bearden.

There is an innovative online element to this project: Each week 10 featured artists from the exhibition will be highlighted online and high resolution images of their work will be available to view alongside their narrative of inspiration through Bearden’s work.

The Studio Museum Harlem’s exhibition is unsurprisingly not the only event to be celebrating the work of this twentieth century American master. More information about the variety of exhibitions being held across North America to celebrate can be found at beardencentennial.org, alongside information about events, and images of 100 of Bearden’s artworks each selected by contemporary artists and made available to view online.

BP British Art Displays: Thin Black Line(s)

Image via http://www.colourcode.info/

Currently showing at Tate Britain is a special one-room Focus Display entitled Thin Black Line(s) devised by artist Lubaina Himid MBE, Professor of Contemporary Art at the University of Central Lancashire, with curator Paul Goodwin.

This display focuses on the contribution of Black and Asian women artists to British art in the 1980s. Taking as its starting point three seminal exhibitions curated by artist Lubaina Himid in London from 1983 to 1985, the display charts the coming to voice of a radical generation of British artists who challenged their collective invisibility in the art world and engaged in their art with the wider social and political issues of 1980s Britain and the world.

This exhibition is free to enter and on display until March 18 2012.

More information about this Focus Display can be accessed online at Color Code and Making Histories Visible.

30 Americans at the Corcoran Gallery of Art

Get on down to the Corcoran – only one month left to see this brilliant exhibition. There is also a 2 day symposium Inner Visions Full Circle to be held in collaboration with Howard University at their Blackburn Center beginning 20 January – registration is now open online.

30 Americans is a wide-ranging survey of work by many of the most important African American artists of the last three decades. Selected from the Rubell Family Collection, the exhibition brings together seminal figures such as Jean-Michel Basquiat and David Hammons with younger and emerging artists such as Kehinde Wiley and Shinique Smith. Often provocative and challenging, 30 Americans focuses on issues of racial, sexual, and historical identity in contemporary culture. It explores how each artist reckons with the notion of black identity in America, navigating such concerns as the struggle for civil rights, popular culture, and media imagery. At the same time, it highlights artistic legacy and influence, tracing subject matter and formal strategies across generations.

For more information about 30 Americans exhibition click here.

For more information about Inner Visions Full Circle Symposium and registration click here.

Black Salt: Early Black Sailors and Nelson’s Navy

Dr Ray Costello’s forthcoming talk at the International Slavery Museum, Liverpool, on Friday 21 October 2011: “Black Salt: Early Black Sailors and Nelson’s navy. A talk on the experience of seamen of African descent in Nelson’s Royal navy”.

Places are limited – for more events details click here